IIDEX Woodshop Designer Spotlight | 608|Design

This is the 4th in a series of 10 posts where we will be placing the spotlight on the amazing talent signed up for the IIDEX Woodshop initiative. This week: the 608|Design

608|Design is a design studio operated by Evan Bare since 2007, which designs and engineers soft seating products for residential, contract and healthcare manufacturers with a focus on “fusing geometry, utility, craft and technology.”

We had the pleasure of having Evan answer a few of our questions—here is what he had to say about the IIDEX Woodshop competition, ash wood and dubstep!

ideacious: IIDEX Woodshop has a strong narrative going for it — a city and IIDEX supported initiative to use a portion of the 200,000+ ash trees the Emerald Ash Borer will bring down over the next 5 years. How do you plan to embrace this narrative through the work you submit?

Evan Bare: I want to compose a piece with layered structural elements while emphasizing the linear grain pattern found in Ash.

From an aesthetic perspective, many designers opt to work with rich woods like Walnut or Maple. What are your thoughts on using Ash as your primary material? Is it a challenge, does it change your process, or do you simply disagree and think Ash is amazing?

I actually really like the grain structure of Ash, especially quarter sawn and have used it in some furniture pieces.  It’s a strong solid wood but does have some issues with fracture along the grain lines which does cause problems for certain designs.

And finally, what’s something that you’re really into right now?

I’m really into growing vegetables and listening to Dubstep. Design wise, I’m a big fan of anything made by Patricia Urquiola.

Stay tuned for our next IIDEX Woodshop Designer Spotlight: Paus + Grün!