This is the 8th in a series of 10 posts where we will be placing the spotlight on the amazing talent signed up for the IIDEX Woodshop initiative. This week: Rob Southcott Studio Works!
Rob Southcott produces “artful objects, which enhance our daily lives”, which he accomplishes by maintaining an openness and awareness to his surroundings. His works have been exhibited to international audiences in North America, Germany and Korea.
We caught up with Rob to get his insights on the IIDEX Woodshop competition, ash wood and his newest interests!
ideacious: IIDEX Woodshop has a strong narrative going for it — a city and IIDEX supported initiative to use a portion of the 200,000+ ash trees the Emerald Ash Borer will bring down over the next 5 years. How do you plan to embrace this narrative through the work you submit?
Rob Southcott: By producing works that considers the past and present lives of Toronto’s dwindling ash population while building a connection between the material, it’s history, location and as always the end user.
From an aesthetic perspective, many designers opt to work with rich woods like Walnut or Maple. What are your thoughts on using Ash as your primary material? Is it a challenge, does it change your process, or do you simply disagree and think Ash is amazing?
I’ve never shied away from ash and have used it in other projects for its amazing strength to weight qualities. It looks nice too!
And finally, what’s something that you’re really into right now?
Anything with two wheels and a motor or a voronoi pattern.
Stay tuned for our next IIDEX Woodshop Designer Spotlight: Said the King!